The washrooms continue the theme of the public area renovation, adopting weaving as the core design concept. This concept serves as a common language linking architectural space and fashion aesthetics, transforming the delicate textures of fashion into a medium for spatial storytelling within the interior.
As the metaphor of weaving permeates the construction details, the space becomes an experimental field where fashion and architecture coexist—adhering to the shared principles of composition through precise proportions and human-scale frameworks. Furthermore, through material layering, formal mutation, and color contrast, it injects the avant-garde essence inherent in fashion DNA into the rigorous order.
Clothing, as the “second skin” of humans, and architecture, as the “third skin,” form an intertextual relationship here. The space creates a three-dimensional translation of fashion tailoring. Classic elements from fashion prints, such as houndstooth and black-and-white checks, are extracted and integrated into spatial decoration, forming a coherent visual language. These patterns not only cover surfaces but also traverse floors, walls, and ceilings in lines of varying scales. The combination of lines and planes builds a dynamic rhythm, enhancing the spatial three-dimensionality while conveying the sophistication of fashion through a concise geometric language.
Material contrast corresponds to the tactile hierarchy of clothing, with the rational order of hard surfaces and the sensory touch of soft furnishings creating spatial tension. On hard surfaces represented by marble and lacquer panels, the dynamic black-and-white checks outline contours with crispness and restraint. In contrast, customized seating furniture features soft leather upholstery that mimics the texture of weaving, continuing the visual gene of the woven patterns in the public area while softening the hardness of the corridor interface with an enveloping form.
The black-and-white palette sets the foundation for the space's elegant luxury, with champagne gold elements subtly integrated into the main tones. This not only continues the refined genes of high fashion but also enhances spatial layers through the luster of the materials.
Attention to detail reflects the spirit of haute couture workshops, translating fashion elements into functional components. The signage system is abstracted from a clothes hanger, serving both as a functional guide and an artistic touch of humor. Above the washbasins, top lights shaped like hats pay an elegant homage to the space with light and shadow, infusing the functional lighting with the creative atmosphere of a fashion studio.
Both fashion and space use objects at a human scale as carriers, conveying the user's identity, emotions, and concepts through form, layout, and details. Both are "tailor-made," rejecting standardization in favor of the uniqueness of individual narratives. Starting from this commonality, the designer uses finely crafted construction to poetically envelop the body, creating a highly innovative and perceptible public space.
The washrooms continue the theme of the public area renovation, adopting weaving as the core design concept. This concept serves as a common language linking architectural space and fashion aesthetics, transforming the delicate textures of fashion into a medium for spatial storytelling within the interior.
As the metaphor of weaving permeates the construction details, the space becomes an experimental field where fashion and architecture coexist—adhering to the shared principles of composition through precise proportions and human-scale frameworks. Furthermore, through material layering, formal mutation, and color contrast, it injects the avant-garde essence inherent in fashion DNA into the rigorous order.
Clothing, as the “second skin” of humans, and architecture, as the “third skin,” form an intertextual relationship here. The space creates a three-dimensional translation of fashion tailoring. Classic elements from fashion prints, such as houndstooth and black-and-white checks, are extracted and integrated into spatial decoration, forming a coherent visual language. These patterns not only cover surfaces but also traverse floors, walls, and ceilings in lines of varying scales. The combination of lines and planes builds a dynamic rhythm, enhancing the spatial three-dimensionality while conveying the sophistication of fashion through a concise geometric language.
Material contrast corresponds to the tactile hierarchy of clothing, with the rational order of hard surfaces and the sensory touch of soft furnishings creating spatial tension. On hard surfaces represented by marble and lacquer panels, the dynamic black-and-white checks outline contours with crispness and restraint. In contrast, customized seating furniture features soft leather upholstery that mimics the texture of weaving, continuing the visual gene of the woven patterns in the public area while softening the hardness of the corridor interface with an enveloping form.
The black-and-white palette sets the foundation for the space's elegant luxury, with champagne gold elements subtly integrated into the main tones. This not only continues the refined genes of high fashion but also enhances spatial layers through the luster of the materials.
Attention to detail reflects the spirit of haute couture workshops, translating fashion elements into functional components. The signage system is abstracted from a clothes hanger, serving both as a functional guide and an artistic touch of humor. Above the washbasins, top lights shaped like hats pay an elegant homage to the space with light and shadow, infusing the functional lighting with the creative atmosphere of a fashion studio.
Both fashion and space use objects at a human scale as carriers, conveying the user's identity, emotions, and concepts through form, layout, and details. Both are "tailor-made," rejecting standardization in favor of the uniqueness of individual narratives. Starting from this commonality, the designer uses finely crafted construction to poetically envelop the body, creating a highly innovative and perceptible public space.
